![]() But it was Lester Flatt whom Stuart most credits with helping him find his way early on. They were the first sounds I ever heard, and they were seared into my soul."Īs a young boy, Stuart spent summers touring with the gospel-bluegrass Sullivan Family, playing in the Pentecostal churches of back-swamp Louisiana towns. And my dad, he had Flatt and Scruggs and Johnny Cash albums. "Very clearly I remember walking with my mother, hanging onto her skirts and hearing church bells play. In fact, Stuart's parents were the ones who got him hooked on music. Besides," Stuart recalls, "they knew what it was about." "I kept up with school through correspondence courses and got my diploma. I was just a kid, of course, and they were worried about school and that sort of thing." Certainly the prospect of having her boy touring the states with a gaggle of grizzled pickers would send any mom into conniptions, but Stuart succeeded in his pitch. ![]() Their presence just made me work that much harder." The real chore, he admits, was convincing his folks to let him board the bus in the first place. I was used to being onstage, performing in front of crowds. "You know I was in awe," he laughs, "but I wasn't scared. Man, I was heavily into Forties music by the time I was twelve." By age thirteen, Stuart was a regular member of Lester Flatt's band, and he remembers looking into audiences and seeing such Southern stars as Roy Acuff and Ernest Tubbs looking on. "When I first heard Flatt and Scruggs, it blew my mind," Stuart drawled during a recent telephone conversation. But after all, he's been picking guitars and mandolins alongside C&W luminaries since he was thirteen. Marty Stuart has a lot of names-big names-to drop, and he does.
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